German adaptation of Edgar Allen Poe’s “The Murders in the Rue Morgue”.

这是一次将人的双面性视觉化的影像尝试，也是一则当代社会道德困境的寓言。影片讲述了一个人是如何从立体走向分裂的过程。

An awkward office drone becomes increasingly unhinged after a charismatic and confident look-alike takes a job at his workplace and seduces the woman he desires.

一个男人醒来后，惊觉自己躺在尸体旁。在追查过程中，他遇见了和自己长得一模一样的人，随后发现自己被困在了生死交织、天堂与地狱之间的迷幻地带。

一個醒來發現自己躺在屍體旁邊的男人，追查下遇見和自己一模一樣的人，發現自己被困生與死、天堂與地獄之間的迷離地帶。

A young artist Ivan is preparing a work for an exhibition on the preservation of values. His work causes a public outcry: it attracts the attention of religious activists of the "God's punishment" organization, officials and journalists. As a result, the painting is removed from the exhibition, and the activists first attack, and then set fire to the artist's studio. The painting is saved, but Ivan faces a criminal case, so together with the curator of the exhibition, he goes to the Pen & Paper Bar Association to find protection and get advice on what to do next in this situation. Lawyers are preparing a defense strategy, and a bewildered artist, who by chance found himself in the epicenter of an absurd religious and cultural conflict, confronts musician Sergei Shnurov at the door of the college. Who seems to need help too.

From silent film star Sessue Hayakawa to Harold and Kumar Go to Whitecastle, the Slanted Screen examines the portrayal Asian men in film and television, and how new filmmakers are now re-defining age-old stereotypes.

From silent film star Sessue Hayakawa to Harold and Kumar Go to Whitecastle, the Slanted Screen examines the portrayal Asian men in film and television, and how new filmmakers are now re-defining age-old stereotypes.

Two of Britain's leading film directors - John Schlesinger and Gerald Thomas - share the anxiety, hopes and risks experienced by those involved with the movie industry. The Big Screen follows the production of four British films: the eighth James Bond film Live and Let Die, The Optimists of Nine Elms, science fiction-thriller The Final Programme and The 14. Actors Peter Sellers, David Hemmings, Jon Finch, Roger Moore and Jenny Runacre are among those seen at work.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Hussein's sadistic son.